Tampilkan postingan dengan label British GP. Tampilkan semua postingan
Tampilkan postingan dengan label British GP. Tampilkan semua postingan

Rabu, 19 Januari 2011

Sir Moss�s Gift

In the past year or so, I�ve been lucky enough to become friends with a gentleman from Scotland named John.

We share the same passion for motorsports history, and it�s heroes. One of our shared heroes is Sir Stirling Moss, who happens to be an acquaintance of John�s.

John had the great idea of asking Sir Moss to autograph one of my limited editions, namely my triptych of him winning the 1955 British Grand Prix in a Mercedes W196.



The signed print has just arrived, and I�m thrilled to the bone!

A huge THANK YOU to my friend John, and to his friend Sir Stirling Moss!

Selasa, 09 November 2010

British Grand Prix 1955

1955 was a very big year for racer Sir Stirling Moss.

The Mercedes-Benz racing team had recruited him because of his strong placings in previous years in all classes of racing cars.

That year, he had won the grueling Targa Florio sports car race with teammate Peter Collins, and the very long and dangerous Mille Miglia with navigator/journalist Denis Jenkinson.


He was also driving the Mercedes-Benz Formula 1 cars in which he won his first Grand Prix race, the British GP at Aintree on July 16th, ahead of his illustrious teammate Juan Manuel Fangio.

He would finish in second place in the season, and also in the following three seasons.

The above new 22�x 7� limited edition archival Giclee print is available to celebrate Sir Moss� first Formula 1 win; you can order it by emailing me at paul.chenard@hotmail.com

Minggu, 21 Februari 2010

Making 3D out of 2D �

The Lotus 49 was another of a long line of brilliant Colin Chapman (and Maurice Phillipe) designs, being the first Formula 1 racecar to successfully use the motor as a stress-bearing structural member.

Jim Clark won 4 races in 1967 driving the Lotus 49, and the first race of the 1968 season before being tragically killed in an F2 race in Hockenheim.

I decided to illustrate a "faux" 1967 Silverstone poster, done in the old mid '60s British style.

In the sketch, Clark leads 2nd place finisher Denny Hulme in his Brabham BT24, followed by 3rd place Chris Amon in his Ferrari 312 F1.

As an experiment, I wanted to render a normally 2D sketch into 3D. To create the 3D illusion, I had to illustrate the cars in parts, and then assemble the parts onto the illustrated background.

For example, the Clark Lotus 49 is built from 9 separate illustrations, cut out, and assembled in layers to create a "trompe l'oeil". The 3 cars are done like that, and positioned into their 1st, 2nd, and 3rd race finishing order. The "Silverstone" text is also cut out paper ...

Prismacolor pencils on individual coloured papers, cut out and layered onto background

� Paul Chenard 2010

Marc Hogenkamp Collection

Commissions are available.

Jumat, 12 September 2008

Vanwall: The Seeds of an Industry


1/18 diecast Mettoy Vanwall made for Marks & Spencer (missing windshield, and possibly driver), England, circa 1959

The Vanwall was a British race car that got it's name from the combination of the team-owner Anthony (Tony) Vandervell�s name and that of his company's patented �Thinwall� bearings.

The first cars raced in 1954 with Peter Collins at the wheel, but without much success. By the end of 1955, Vandervell hired young Colin Chapman to redesign the chassis, with Frank Costin redesigning the body. The racer showed more potential through 1956, with a win at Silverstone in the hands of Sir Stirling Moss.

Frank Cooper Ltd. marmalade pot, England, 1959

M
oss decided to join the team for 1957, along with Tony Brooks and Stewart Lewis-Evans, and as the season unfolded, the Vanwalls became faster and more reliable with wins at the British, Italian and Pescara Grand Prix.

In 1958, Vanwall won Grand Prix's in Holland, Portugal and Morocco (Moss) and in Belgium, Germany and Italy (Brooks), thus winning the Constructor's Championship.

After the death of Lewis-Evans in Morocco in 1958, the team continued half-heartedly until 1961 when it closed all together.


Corgi #150 Vanwall Formula 1 Grand Prix, England, 1957

The international motorsport industry developed from the seeds sown by companies like Vanwall, BRM, Lotus, Cosworth and many others in Britain is such that there are now as many as 4000 companies involved in motorsport manufacturing in the U.K.

In Formula 1, 7 teams competing in the 2008 season are based there: McLaren, Williams, Renault, Super Aguri, Red Bull Racing, Force India and Honda.


Pencil and Prismacolor pencil on coloured archival paper 12"x 9" � Paul Chenard 2008

Available as limited edition premium archival Giclee prints (part of a series), 14.5''x 11'' (image size 12''x 9''), signed and numbered to a limit of 125 of each. The suggested retail price is $100 CDN each plus shipping/handling, or all 4 from the series for $325 CDN plus shipping/handling.

Rabu, 13 Februari 2008

Tazio Nuvolari in an Auto Union Type-D













Pencil on paper, digital coloured � Paul Chenard 2006

Tazio Nuvolari won the 1938 British GP driving the V-12 Auto Union. The inset shows the gold turtle pendant "logo" that he wore at all his races.

Juan Manuel Fangio in a Maserati 250F, Nurburgring 1957








Pencil on paper 9"x 6" � Paul Chenard 2006
Charles McCabe Collection

In my opinion, Fangio was the greatest Grand Prix driver there ever was. His brilliance was opitomized in his maestro drive of the 1957 German GP.

Kamis, 07 Februari 2008

Italian GP 1951 Monza














Prismacolor pencil on coloured Canson paper
� Paul Chenard 2008

Fangio and Farina in Alfa Romeo 159's, followed by winner Ascari in a Ferrari 375.

Senin, 04 Februari 2008

Sir Jackie Stewart in a Tyrrell 005 winning the Canadian GP 1972















Limited edition of 250 (11.5" x 9") numbered and signed Giclee prints $50 CDN plus shipping/handling.
Pencil on paper, partly digitally coloured
� Paul Chenard

Minggu, 03 Februari 2008

Sir Stirling Moss on his way to his first GP win, 1955 British GP, Aintree.









Pencil on paper � Paul Chenard 2007

Limited edition of 125 (34.5"x 11") numbered and signed
premium archival Giclee prints $150 CDN plus shipping/handling.